Consider entering your grandparents’ home, where every room had a story to tell and every corner possessed a relic. Of these, the oil lamp shelves placed on the walls to this day will make you feel the warmth that you used to experience while reading under them. These shelves, which were an important part of the early twentieth-century houses, were not just practical – they were a symbol of a time when the light of an oil lamp would unite family members in the evening.
Usually wooden or metallic, oil lamp shelves were commonly located in various parts of the house to ensure the light’s effectiveness. These shelves were frequently located on walls in the living room, bedrooms, and hallways. They were not randomly placed; they were strategically positioned to ensure that there was enough light for activities done in the evening such as reading, sewing or even family meetings.
The form of these shelves or niches was quite diverse, ranging from flat ledges to more complex constructions complete with guardrails to avoid lamp tip overs. In wealthier homes, these shelves may have been elaborately decorated or even incorporated into the design of the room, complete with carved-out niches and fancy trim that matched the rest of the house.
This was because oil lamps presented a fire risk due to the exposed flame. Shelves for oil lamps were therefore intended to keep the lamps stowed away from the everyday activities in the house while at the same time letting in the light. These were usually located in positions that were not easily accessible to children and not close to curtains or any other combustible material. This tactical positioning ensured that risks of fire breakouts were reduced to the barest minimum while issuing adequate light.
The existence of oil lamp shelves in old houses gives us an insight into the lifestyles and the technological advancements that were available at the time. Lighting was an important part of people’s lives before the use of gas and electric lights and this meant that the management of lighting was an important part of the daily routine and architecture. These shelves were an important part of the interior design and showed how people of that time managed to optimize the use of living spaces.
Today, oil lamp shelves in historic homes are kept for both their functionality and their historical and cultural value. In the modern homes where such shelves have been installed, they are used for storing candles, plant among other items to enhance the beauty of the house. This is because preservation measures always aim at preserving the original construction features and the material used in the construction in this case the design of the period.
Therefore, the shelves for oil lamps in old houses are not only practical furniture pieces, but they are also a symbol of the creativity of the previous generations and a link to the tangible world of the past. Such details give us ideas about the changes that were made by our ancestors and make us reflect on how these architectural landmarks should be preserved.
The surprising reason Cynthia Rhodes stepped away from her flourishing career after dirty dancing
Cynthia Rhodes, known for her iconic roles in Staying Alive and Dirty Dancing, is a legendary figure in 1980s dance dramas. As she approaches her 68th birthday in November 2024, it’s worth reflecting on why this Hollywood triple threat chose to retire at the peak of her career.
Rhodes was born in Nashville, Tennessee, and began her career with a small part in the 1980 film Xanadu, which starred Olivia Newton-John and Gene Kelly. Her breakout came with her portrayal of Tina Tech in Flashdance, followed by a significant role in Staying Alive, where she played the love interest of John Travolta.
However, it was her unforgettable performance as Penny Johnson in Dirty Dancing that solidified her status in Hollywood. In this role, she captivated audiences with her Mambo dancing alongside Patrick Swayze, while also delivering poignant emotional scenes, including the character’s harrowing experience with an illegal abortion.
Rhodes described Penny as a complex character who had endured a tough life, yet retained a sense of sweetness. The film not only showcased her dancing skills but also tackled important social issues, positioning its leads, including Rhodes, for stardom.
Despite her success, Rhodes decided to step back from the industry, citing the physical demands of dance. “Dancing became really hard”, she said, expressing her desire for roles that didn’t involve strenuous movement. “I keep saying I’ll never dance again… my bones hurt, my back hurts all the time”, she explained.
In 1987, the same year Dirty Dancing premiered, Rhodes appeared in Richard Marx’s music video for “Don’t Mean Nothing”. She married Marx in 1989 and welcomed three children: Brandon in 1990, Lucas in 1992, and Jesse in 1994. Marx noted that Rhodes found more fulfillment in motherhood than in her previous career, which she left in 1990 partly due to the intense physical pain from dancing.
Rhodes, who started dancing at the age of three, emphasized her love for it but acknowledged the toll it took on her body. “If I never danced again, I wouldn’t regret it”, she said, highlighting her contentment in focusing on her family.
Her last film appearance was in 1991’s Curse of the Crystal Eye. After divorcing Marx in 2014, she stepped further into her role as a mother, watching her children pursue careers in the arts: Brandon as a music producer, Lucas as a singer and actor, and Jesse as a musician in a metal band. While fans miss seeing Cynthia Rhodes on screen, her decision to leave Hollywood resonates, underscoring the high demands of a career in dance and the joy she found in motherhood.
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