Eissa, the seven-year-old son of Janet Jackson, is beginning to display his musical abilities, suggesting he may be following in the footsteps of his famous mother.
Here’s a closer look into the young boy’s life:
As the youngest of ten Jackson siblings, Eissa is a descendant of a musical legacy. Janet, now 57, began her career on the variety show The Jacksons, which showcased her eight siblings. Tragically, her twin brother Brandon died at birth in 1957, leaving Janet and her siblings to navigate the world of music together.
Janet’s brothers—Jackie, Tito, Marlon, Jermaine, and Michael—rose to fame as the Jackson 5 after signing with Motown Records in 1968, while her sisters Rebbie and LaToya also forged their paths in the music industry.
Path to Fame
After the family show ended in 1977, 10-year-old Janet landed a leading role in the hit TV series Good Times, followed by parts in Diff’rent Strokes and Fame. However, it was her music that propelled her to fame. Known for hits like “Together Again,” “That’s the Way Love Goes,” “Nasty,” and “Love Will Never Do (Without You),” Janet has earned numerous accolades and has several multi-platinum albums, including Control, Rhythm Nation 1814, and Janet. Her 1982 debut album, Janet Jackson, marked the beginning of her success, but it was her third album, Control (1986), that established her as a major artist in her own right, separate from her brother Michael Jackson, the “King of Pop.” Control earned her three Grammy nominations and nine American Music Award nominations, winning two.
Eissa Jackson Today
Born on January 3, 2017, Eissa Al Mana is inheriting the musical gifts of his mother, who was 50 at the time of his birth with then-husband Wissam Al Mana. Although the challenges of giving birth at that age were daunting, Janet’s delivery was healthy and without complications.
“Janet Jackson and husband Wissam Al Mana are overjoyed with the arrival of their son Eissa Al Mana. Janet had a smooth delivery and is resting comfortably,” a representative stated.
However, just three months after Eissa’s birth, the couple ended their five-year marriage, marking Janet’s third divorce.
According to her brother Randy, Janet faced “verbal abuse” from Al Mana and felt “trapped in her own home.” Randy mentioned, “Enough is enough. There’s a lot of pain. Janet’s been through a lot with her divorce… It was quite an abusive situation that escalated over time.”
In June 2018, Janet called the police for a welfare check while Eissa was with his father, fearing he might be exposed to drugs. Fortunately, Eissa was found safe, and the situation was clarified as a misunderstanding. Neither Janet nor Wissam has commented on the incident.
After the separation, the “When I Think of You” singer expressed her commitment to being an active mother. “Being a working mom is tough. I don’t have a nanny. I handle everything myself. If my mother managed with nine kids, I can too,” Janet reflected, referring to their matriarch, Katherine, who turned 93 in May.
First Photo of Eissa
Janet adeptly juggles her demanding career and motherhood. “I’m in a wonderful place,” she shared. “I have a beautiful son.”
Her friends even call her Superwoman, though Janet humbly disagrees, crediting her newfound energy to Eissa’s inspiration.
The superstar is protective of her son’s privacy, but occasionally shares glimpses of their life. She posted the first photo of Eissa when he was just 14 weeks old, shortly after her separation from Al Mana. She also shared pictures with Eissa and his classmates enjoying gifts from the show Paw Patrol.
In an Instagram clip, Janet excitedly updates fans about her tour when she is interrupted by Eissa seeking her attention.
During her Rock & Roll Hall of Fame induction speech in 2019, Janet fondly acknowledged Eissa. “I want to thank my beautiful son. He wakes me up every morning singing his own melodies. You are my heart and my life, and you’ve shown me what true, unconditional love is. Mama loves you, Eissa.”
While appearing on The Tonight Show with Jimmy Fallon in 2020, she shared that Eissa has a passion for music. “He loves classical music. He’s incredibly talented,” she noted. “On his first day of school, he brought a violin. By the third day, he asked to take a cello. I told him we didn’t have a cello, but he insisted I should turn his violin into one.”
Despite Eissa’s evident musical potential, Janet has stated she wouldn’t pressure her children into the entertainment industry unless it was their genuine desire. “They need to understand the challenges they would face,” she explained.
Above all, Janet feels immensely grateful for the love of her son. Eissa is currently being raised in London, where Janet shares parenting responsibilities with her ex-husband.
“Eissa has shown me that love can go deeper than you ever thought possible. It’s limitless,” Janet expressed. “Having been raised in showbiz, where self-interest often prevails, I’m fortunate to prioritize someone else’s welfare above all else.”
Gary Burghoff AKA Radar from ‘M*A*S*H’ Always Kept His Left Hand Out of View – Five Times We Could See It
The hit 1972 sitcom “M*A*S*H” introduced the world to a number of memorable and beloved characters, from the smart-mouthed yet compassionate Captain Benjamin Franklin “Hawkeye” Pierce to his endearing friend, Captain B.J. Hunnicutt. Almost every character had stuck in the minds of the fans.
One of the characters that often featured but was easily overlooked by his military counterparts due to his nervous nature was the 4077 MASH unit’s company clerk, Corporal Walter Eugene “Radar” O’Reilly. Although many of the staff on the base tended to take Radar’s effort for granted, the fans sure noticed him.
Radar was portrayed by the acclaimed actor Gary Burghoff from the start of the TV show in 1972 until the seventh season, which aired in 1979. Although fans clamored for more of the unassuming clerk, Burghoff revealed that he needed to step away from the show to rekindle his personal relationships and fight burnout.
“M*A*S*H’s” Influence and Burghoff’s Personal Identity
Although Burghoff enjoyed playing Radar, the role became increasingly demanding. The actor commented that it became difficult to separate himself from his character in the eyes of the public, which soon became tedious. He also noted that he despised being fawned over by the crowds:
“Aw, I know I’m cute. Cute, cute, CUTE! I was always cute because I was always the smallest kid on the block. I hate cute.”
Everyone saw Burghoff as an adorable, short, timid character as they’d known him on-screen and on the stage for many years. However, after years of being looked down upon, both metaphorically and physically speaking, Burghoff grew tired of the persona so easily attributed to him by scores of people he had never even met.
The actor lashed out against this view of him as a cute little fellow by defending his height. As he so rightly pointed out, 5 feet 6 inches isn’t irregularly short, and he would have seen the tops of Arte Johnson or Mickey Rooney’s heads had they ever met. Nonetheless, the persona stuck.
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor.
Despite his misgivings about how others perceived him, Burghoff’s fellow cast members adored him. The director Charles Dubin recalled working with Burghoff before he left “M*A*S*H,” noting how caring and pleasant Burghoff was to everyone on set. However, Burghoff had another aspect of himself that drove down his self-esteem.
Burghoff had been born with a congenital disability called Brachydactyly, a form of Poland Syndrome. The condition left the actor with three fingers on his left hand that were noticeably smaller than the rest of his digits, and the abnormality had plagued him since he was a small child. The actor commented:
“Of course, this defect affected me while I was growing up. I suppose when I was very young, I knew my disability would set me apart and make me special.”
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor. Yet, becoming a fan-favorite on one of the most iconic TV shows America had ever produced never managed to quell his insecurities about his stout fingers and stocky frame.
Throughout his run on “M*A*S*H,” Burghoff tried to hide his left hand from the camera. He would often position himself so that the camera could only see one side of his body and usually gestured with his right if the scene required it, although the actor would be obligated to use both hands now and again.
In one of the earliest episodes, viewers were introduced to Radar as he stood in an open area, wearing a greyish shirt and his trademark cap. As the actor turned around and looked at the sky — once again hearing approaching helicopters before everyone else — the camera briefly panned over both his hands holding a football.
When Colonel Sherman T. Potter first made his appearance on the show, taking over from the beloved Lieutenant Colonel Henry Blake, Radar and the new commander shared a scene where they first met. As Colonel Potter exited the room to find the latrines, the camera centered on Burghoff’s upper body as he opened a box with both hands.
Another infamous scene caught Burghoff with both hands on camera. During a regular morning salute, with the loathsome Major Frank Burns leading the ceremony, Radar does his usual morning salute with a bugle. In a hilarious twist, one of the men fires off the ceremonial canon at Burns’s behest.
Naturally, Radar gets the short end of the stick as the cannonball flies directly at him, knocking his instrument clean out of his hands. In the next few seconds, Burghoff turns toward the camera in a pantomime of rage, balling his fists and stomping in outrage. Here, both his hands can be seen for a brief second.
In one of the later episodes, the writers showed off Radar’s softer side when he cuddled his pet guinea pig, Babette. Naturally, Radar stood with his left hand beneath his right, but just as he started to sing, Father John Mulcahy called for him. Burghoff’s hands were visible again as he put the Babette away.
One of the scenes where Burghoff openly showed his left hand came as part of another gag the show pulled. At the start of the scene, Radar could be seen walking across a dirt road while two other military personnel walked away from the camera. The man on Radar’s right first lifted his hand in salute, followed shortly by one on the left.
Radar, the pleasant character he was, lifted his right hand in response to the first salute, as military etiquette dictates. Caught off guard by the quick second salute, Radar lifted his left hand as well, essentially performing a double salute. Feeling sheepish, he frowned and lowered his hands slowly in one of Burghoff’s classic displays of confusion.
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