My husband wanted a divorce because I couldn’t give him a son. What happened next changed our lives forever.

Marriage had always been a partnership of love and support, or at least that’s what I believed when Steve and I first tied the knot 16 years ago. Over time, we were blessed with five beautiful daughters, each one a joy and a challenge in her own way. Yet, in Steve’s eyes, our family lacked something crucial: a son.

Steve’s desire for a male heir became an obsession, overshadowing every happy moment we had. His traditional mindset dictated that a man’s legacy could only be carried on by a son, and our daughters, no matter how wonderful, were seen as inadequate. This belief had eaten away at the fabric of our marriage, turning our once joyous union into a battleground of unmet expectations and silent resentment.

Steve’s job kept him away most of the time, leaving me to juggle the responsibilities of raising our daughters, maintaining the household, and managing a part-time online job. His absence wasn’t just physical; it was emotional too. He was a shadow in our home, present yet distant, and his discontent seeped into every corner of our lives.

The Breaking Point
One late night, a seemingly innocent conversation spiraled into a full-blown argument. I had suggested trying one more time for a son, even though I was already forty. Steve’s response was brutal and laced with years of pent-up frustration.

“Shut up already,” he snapped. “We’ve been together for 16 years and you couldn’t bring me a son. What makes you think you will do it this time?”

I tried to reason with him, “But Steve, only God…”

“ONLY GOD DECIDED TO PUNISH ME WITH YOU AND ANOTHER 5 FEMALES,” he yelled, his face contorted with anger. “I wish I could go back in time and change everything.”

The venom in his words was palpable, and it stung more than any physical blow could. Our daughters, our life together, everything we had built was being torn down in this moment of raw emotion. Suddenly, we heard a noise behind the door. When we checked, there was no one there, and we dismissed it as the creaking of an old house. Little did we know, that sound was a harbinger of the events that would soon unfold.

The Missing Child
The next day, our lives took an unexpected turn. It was 6 pm, and Lisa, our 12-year-old, was always home by this time. Panic set in when she didn’t show up. As worry gnawed at us, Sara, our second-born, came running with tears streaming down her face, clutching a letter.

Steve snatched the letter from her hand and began reading. His face went ashen, his eyes widened with fear. He turned to me, his voice trembling, “This is serious.”

The letter was a ransom note. It claimed that Lisa had been kidnapped and demanded an exorbitant amount of money for her safe return. The instructions were clear: no police, no tricks, or we’d never see her again.

The Race Against Time
Our world was shattered. The next hours were a blur of frantic phone calls, desperate plans, and heart-wrenching decisions. Steve, usually stoic and composed, was a mess. His obsession with having a son seemed insignificant now compared to the possibility of losing his daughter.

The experience taught us that the value of family isn’t determined by gender but by the love, respect, and support we give each other. Steve learned to cherish his daughters and our marriage, realizing that true happiness comes from within and is nurtured by the bonds we share.

Our lives were forever changed by that harrowing experience, but it also brought us closer, forging a stronger, more resilient family. The past year had been incredibly tough, but it led to a new beginning, one where we could all be truly happy together.

Australia’s adopted popstar son Leo Sayer reflects on his career

“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.

Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.

He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.

“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”

Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”

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