Keanu Reeves is a much-loved celebrity, and everyone who’s met him has great things to say about him. So when he recently shared some bad news about himself, many people were worried.
Here’s what happened:
Keanu has been busy working on his new project, *Good Fortune*. He appeared on *The Late Show with Stephen Colbert* this week and shared a story that got people concerned.
The 59-year-old actor revealed that he broke his kneecap while filming. Known for his action roles in movies like *The Matrix* and the *John Wick* series, he explained that the injury came from something surprisingly minor.
Colbert asked, “What happened? Who got to you?”
The actor replied playfully in a tough guy voice, “No one got to me,” adding, “Accident got to me.”
“Were you jumping from building to building? Were you doing a cartwheel past razor blades? What were you doing?” Stephen further probed.
“No, Stephen, I was walking into the dressing room, a room. I will tell it quick,” Keanu explained.
Keanu explained that his injury happened while filming a comedy called *Good Fortune* with Aziz Ansari and Seth Rogen. The three were in a cold plunge, and Keanu was having a good time. Afterward, he was doing a “cold shuffle” in a room with soft carpets when his foot got stuck in a pocket.
To show what happened, Keanu walked in front of Stephen Colbert’s desk and demonstrated how his knee gave way. He described it as if his knee “spiked” into the ground.
He said his kneecap cracked like a potato chip, although he didn’t realize it at first. It wasn’t until his knee started swelling up that he knew something was seriously wrong.
“Comedy is hard, man,” Keanu added as a joke.
“This was not an action film with Aziz and Rogen,” Stephen clarified once again.
“No, it was comedy,” Keanu confirmed.
“Welcome to my life,” Stephen joked.
In January, Keanu was seen filming with crutches and an ice pack on his knee.
*Good Fortune* not only stars Aziz Ansari but is also his first time directing. He wrote and co-produced the movie, which also features Sandra Oh and Keke Palmer.
It’s great to hear that Keanu Reeves has recovered well. Feel free to share this update with anyone who wants to know how he’s doing!
The fascinating and tragic story of Mary Ann Bevan
I am pleased with the strides our civilization has made in 2022, recognizing that progress comes in various forms. While acknowledging that certain aspects of the past were better, it’s crucial to highlight that some elements of bygone eras belong precisely where they are, in the past.
In the 19th century, “freak shows” were a popular attraction, considered a regular part of American society. These mobile circuses showcased individuals deemed “odd”, such as bearded women and Siamese twins. Mary Ann Bevan, labeled the “Ugliest Woman in the World”, emerged as one of these attractions, and her poignant life story emphasizes the need to remember and learn from such historical missteps.
While human curiosity about individuals with different ethnicities or physical abilities has existed throughout history, exploiting them for profit is ethically wrong, regardless of the time period. In the 19th century, audiences flocked to witness people with deformities in “freak shows”, an unsettling trend that persisted from the 1840s to the 1940s without widespread moral objection.
Mary Ann Bevan’s story unfolded in this challenging period. Born as Mary Ann Webster on December 20, 1874, in Plaistow, East London, she grew up in a working-class household, one of eight children. Unlike her brothers, who found employment when they reached adulthood, Mary Ann pursued education, graduating from medical school and beginning her career as a nurse in 1894.
Her life took a positive turn when she married Thomas Bevan in 1902, and together, they experienced the joys of raising four children. However, tragedy struck after 14 years of marriage when Thomas suffered a stroke and passed away. Left alone with her children, Mary Ann faced additional challenges as she grappled with a rare condition known as acromegaly, which affected her physical appearance.
Acromegaly, characterized by the overproduction of growth hormone, leads to enlarged body tissues and bones. Mary Ann exhibited symptoms around the age of 32, and with limited knowledge about the condition at the time, she struggled to find help. Unlike the typical manifestation of acromegaly after puberty, Mary Ann’s ailment affected her face, altering her features.
Despite her hardships, Mary Ann initially found solace in her family and received support from her husband. However, after Thomas’s death, the disease’s impact worsened, rendering her unemployable due to her changed appearance. Desperate to provide for her children, Mary Ann responded to a newspaper advertisement seeking the “Ugliest woman” for a circus.
Claude Bartram, an agent for Barnum and Bailey, selected Mary Ann based on her photograph and offered her a contract that included a weekly salary, travel expenses, and proceeds from picture postcard sales. Mary Ann’s journey to America in 1920 marked the beginning of her fame as “The Ugliest Woman on Earth”, with appearances at the Coney Island Circus.
Despite objections to the morality of using individuals with physical differences for entertainment, Mary Ann became a sensation, earning significant income. The financial success allowed her to provide her children with education in England, fulfilling her commitment as a devoted mother. Mary Ann’s resilience and sacrifice epitomize true beauty and maternal love.
Returning to France in 1925 for an exhibition, Mary Ann spent the remainder of her life in New York, working at the Coney Island Dreamland Show. She passed away in 1933 from natural causes at the age of 59, fulfilling her dying wish to be buried in her native country, laid to rest at South London’s Ladywell and Brockley Cemetery.
Mary Ann Bevan’s story is a testament to her unwavering determination to support her family. In a time without modern benefits, she worked tirelessly, embodying the selflessness of a mother who prioritizes her children above all. May Mary Ann rest in peace, a deserving tribute to a woman whose life exemplified sacrifice and maternal love.
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