This hilarious clip from a long-lost episode of The Carol Burnett Show starring Tim Conway and Harvey Korman hasn’t been seen in aImost 40 years.
It’s brief, but it’s long enough to make anyone giggle.
The Carol Burnett Show was one of America’s most successful series during its first run, which lasted from 1967 through 1978. It has been on numerous «Best/Greatest TV Shows of All Time» lists and was consistentIy among the top 30 most-watched shows each season.
Tim Conway and Harvey Korman, two of the most well-known comedians of all time, were regulars on the show. Despite the fact that they were not a comic partnership Iike Abbott and Costello, they were frequently used in skits due to their popularity with viewers.
Tim dresses up as a lady in this episode, which is only available on DVD, and he and Harvey go undercover as a couple. Tim warns Harvey not to hold her too closely, but Harvey insists that they must appear to be a reaI pair in order to complete the task.
Tim concurs, adding it’s great as long as they remain professional. Now it becomes very funny: Harvey can’t fathom why Tim would assume this was for anything other than work.
Tim then flicks his hair like the comedic genius that he is, causing both performers to break character and giggle, though they try to keep it in as much as they can. The audience isn’t much assistance either; everyone in the studio was Iaughing at this point.
Harvey combs his bangs before pulling out his compact powder and rubbing it on his mustache and chin, making everyone, including Harvey, laugh even harder.
In the 1980s, this beautiful woman was on her way to becoming a Hollywood star. She won three Academy Awards when she was at the top of her game, but after that she became less well known. She looks so different now that she’s 67
In a timeless romance, Naval Officer Zack Mayo swept factory worker Paula off her feet, whisking her away from the mundane confines of her workplace. Debra Winger’s portrayal was the envy of fans worldwide, setting a standard for romantic tales in the iconic film “An Officer and a Gentleman”. Richard Gere’s depiction of Officer Zack Mayo, the dashing naval hero clad in his crisp blues, captured hearts across the globe.
Winger, now 67, retains her enduring beauty that first captivated audiences alongside Hollywood’s leading men. Recently, she’s shared glimpses of herself on social media, her once brown locks now naturally curly and silver. Winger’s career ignited with her debut in the 1976 film “Slumber Party ’57”, leading to a memorable role as Drusilla in the hit TV series “Wonder Woman” (1979), where she portrayed the spirited younger sister to Lynda Carter’s Diana Prince.
Despite early success, Winger bravely turned down further commitments on “Wonder Woman” to avoid typecasting, a decision that proved pivotal. Throughout the early 1980s, she garnered acclaim with Oscar and Golden Globe nominations for her roles in iconic films like “Urban Cowboy” (1980) alongside John Travolta, “An Officer and a Gentleman” (1982) as Paula, and “Terms of Endearment” (1983) as Emma, a poignant portrayal of a young woman facing mortality under the watchful eye of her mother, played by Shirley MacLaine.
Yet, amid rising stardom, Winger took a hiatus from Hollywood, sparking speculation that persists over four decades later. Rumors swirled about conflicts with co-stars, including reputed tension with Gere during the filming of “An Officer and a Gentleman”. Co-star Louis Gossett Jr., who played Sgt. Emil Foley, chronicled in his book “An Actor and a Gentleman” that their on-screen chemistry didn’t translate off-screen, attributing friction between Winger and Gere to creative differences.
Winger’s outspoken nature extended beyond Gere; she reportedly clashed with MacLaine on the set of “Terms of Endearment”, where their contrasting styles and personalities led to both friction and eventual camaraderie. The Hollywood grapevine buzzed with tales of Winger’s independence and occasional clashes, enhancing her mystique.
Following her hiatus, Winger returned to the spotlight with “Forget Paris” (1995) alongside Billy Crystal before taking another break to focus on family life in New York City with her husband, actor Arliss Howard. She returned to acting with “Big Bad Love” (2001) and gained further attention with the documentary “Searching for Debra Winger” (2002), exploring her decision to step away from the limelight at the peak of her career.
Reflecting on her Hollywood journey, Winger has remained philosophical, viewing Los Angeles as a place rather than a concept of stardom. Her recent roles in films like “Rachel Getting Married” (2008), “The Lovers” (2017), and “Kajillionaire” (2020) underscore her enduring talent and commitment to diverse roles, reinforcing her status as a cinematic icon who defies easy categorization.
In 2021, Winger appeared in the anthology drama “With/In”, Volume two, in a segment titled “Her Own”, directed and written by her husband Arliss Howard. Her ongoing career continues to surprise and delight audiences, proving that while Hollywood’s landscape may evolve, Debra Winger’s allure and talent endure.
Leave a Reply