Colleen, a 32-year-old single woman who dreams of having children someday, often walks her dog in the park. Every evening, she notices twin girls around eight years old sitting alone on a bench in ragged clothes. Their sad eyes pull at her heart, and she becomes increasingly worried about their well-being.
One chilly evening, she decides to follow the girls to see where they go. As darkness falls, the girls hold hands and leave the park. Colleen’s concern grows as they board a bus, looking small and vulnerable under the bright lights. After traveling nine stops, they arrive in a wealthy neighborhood, walking into a large house that seems out of place for them.
Confused and alarmed, Colleen approaches the house and rings the doorbell. A maid answers, and after some hesitation, a man in an expensive suit appears. He dismisses Colleen’s concerns about the girls and slams the door in her face, leaving her feeling uneasy about the situation.
Determined to help the girls, Colleen returns to the park the next day and introduces herself. The twins, Hannah and Lily, share their story: their mother died three years ago, and since their father remarried, they have been neglected by their stepmother. They are made to stay in the park daily and often go without meals.
Colleen’s heart breaks for them, and she offers her help. The girls express their desire to leave their home, longing for a safe and caring environment. Colleen records their story and gives them her phone number, urging them to reach out if they need help.
Later that day, Colleen confronts their father again, but he angrily dismisses her concerns, insisting that the girls should be grateful for what they have. Feeling a sense of urgency, Colleen calls social services the next morning to report the neglect. Within days, social services remove Hannah and Lily from their home due to neglect and abuse. Colleen eagerly volunteers to be their foster mother, feeling that it’s the right choice.
When the girls arrive at her apartment, they are cautious but hopeful. Colleen reassures them that they are safe and welcome to stay. Over the next few weeks, she creates a loving environment for them, taking them shopping for new clothes and enrolling them in school. Colleen finds joy in caring for the girls, who quickly become an important part of her life.
Three months later, while at the park, Colleen asks the girls if they would like her to adopt them. The twins burst into joyful tears, eagerly agreeing. As Colleen holds them, she realizes that the love she sought in a partner has blossomed into a family bond with these brave little girls.
The adoption process is challenging, but together, they navigate it and six months later, Hannah and Lily officially become her daughters. Colleen reflects on how her life has transformed. By following her instincts that night in the park, she not only changed the lives of two girls but also discovered the love and purpose she had longed for. To anyone reading her story, Colleen emphasizes the importance of speaking up if something feels wrong. You never know how your actions might change a life.
Dеbrа Wingеr, whоsе реrfоrmаnсеs in thе 1980’s аrе еtсhеd in оur hеаrts, is stunning аt 67
In a timeless tale of romance, Naval Officer Zack Mayo swept factory worker Paula into his arms and carried her from her workplace, leaving fans everywhere wishing they were the beautiful Debra Winger.
The legendary scene in the romantic drama an Officer and a Gentleman–where Richard Gere played Officer Zack Mayo, the handsome hero in navy whites–became the benchmark of love stories for daydreaming fans.
Acting alongside Hollywood’s hottest men, Debra Winger was the envy of many.
Today, Winger, 67, is as beautiful as ever. In the past few years, Winger has posted photos herself on Instagram, first with brown hair and now to a natural wavy gray.
Winger’s first starring role was in the 1976 film Slumber Party ‘57, which led to a part on the hit TV series Wonder Woman (1979), where she played Drusilla, the younger sister to Lynda Carter’s Diana Prince/Wonder Woman. Winger was asked to appear more often but concerned she’d be typecast by that role, she declined.
There were no regrets for that decision, the early ‘80s would be prosperous for the rising star.
At the height of her young career, she received numerous nods from the Academy and Golden Globes for performances in three iconic movies of the 1980’s.
In 1980, she starred in Urban Cowboy, with John Travolta, who at the time was driving fans wild with his smooth dance moves in Saturday Night Fever (1977) and Grease (1988); as Paula in an Officer and a Gentleman (1982) and in Terms of Endearment (1983), where she played Emma, a dying young woman with an over-bearing mother, Aurora, played by Shirley MacLaine.
Despite her huge success, Winger, carving hours from her acting schedule, took a mini Hollywood hiatus, and more than four decades after her rise to stardom, speculation of why she left is still circulating.
Most of these rumours revolve around the feuds that Winger had with her co-stars.
Though fans couldn’t get enough of the handsome Gere, it’s been widely reported that Winger had enough of him on the set.
According to an excerpt published on ABC News from the book, “An Actor and a Gentleman,” by co-star, Louis Gossett Jr., who played Sgt. Emil Foley: “The onscreen chemistry between the two of them was terrific, but it was a different story once the camera was turned off. They couldn’t have stayed farther apart from each other.”
Gossett also claims that Winger didn’t think much of Gere’s acting and wrote that she once described Gere as “a brick wall.” And, the film’s director, Taylor Hackford, whom she also did not likе, she referred to as “animal.”
It wasn’t only people on that film that ruffled her feathers.
Winger, a free spirit in real life and in her role as Emma, also clashed with the prolific MacLaine, a glamourous, eccentric and seasoned veteran.
Their first meeting set the stage for their relationship.
“To see how my character would feel I was wearing all my leftover movie-star fur coats,” MacLaine said in an interview with People. “There was Debra dressed in combat boots and a miniskirt…I thought, ‘Oh my goodness.’”
People writes, “Indeed, the set became the source of Hollywood’s most relished rumors. Winger wanted top billing. One reportedly slugged the other.”
And then, the women were pitted against each other in the Oscars when they were both nominated for best actress.
MacLaine, taking the trophy home, said in her acceptance speech, “I deserve this!”
Rumors aside, Winger insists she “pushed the pause button” on Hollywood for personal reasons and not professional.
“The parts that were coming, I wasn’t interested in. I’d already done that or I’d already felt that. I needed to be challenged. My life challenged me more than the parts, so I dove into it fully,” Winger told People.
After starring in the 1995 romcom Forget Paris with Billy Crystal, Winger took a six-year break.
In that time, she moved to New York City and shifted her focus to actor Arliss Howard, whom she married in 1996. The pair have a son, Gideon Babe, who was born in 1997, and she is stepmother to Sam, Howard’s son from a previous marriage. She also has another biological child, Noah Hutton, whom she mothered while married to her first husband, Timothy Hutton (1986 to 1990).
She reappeared in the 2001 film Big Bad Love, that was directed and produced by her husband, who also co-starred alongside Winger and Rosanna Arquette, who’s next project was 2002 film Searching for Debra Winger. As director of the documentary, Arquette attempts to answer why Winger temporarily аbаndоned her career at peak performance.
Winger gained some momentum with roles in Rachel Getting Married (2008) with Anne Hathaway, the 2017 romcom The Lovers, and the crime-comedy, Kajillionaire (2020).
In 2021, she was in With/In, Volume two of the anthological drama film, in the segment Her Own, which is written and directed by her husband, who also co-stars.
“I don’t know what Hollywood is. I’m living under the freaking sign now, and I just stare at it and laugh. Los Angeles is a place, but the idea of Hollywood doesn’t really exist for me,” Winger said, adding, “…although there must be some in-crowds that I just don’t know about.”
We can’t imagine a Hollywood without Debra Winger and we hope she soon gets to take home an Academy Award ! What are your favorite Winger movies?
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